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The body is a political venue: the body symbolizes power, impotence, status and affiliation. With or via our bodies, we create our own social and cultural identities – just like we apply them to other people. Individuals are classified into groups, societies divided into segments. Homogenous spaces emerge that exclude the other while leaving individuals in the infinite cycle of peer groups and filter bubbles. DIVE is located in this field of tension between making difference visible and practicing community; it also develops identity as a permanent construction and deconstruction of overlapping and parallel events as well as self and foreign attribution. Individual protagonists’ perceptions and evaluations wander, shift and become a costume or a skin that cannot be cast off. Together with the seven dancers, Anna Konjetzky samples, mixes and scratches stereotypes and identities choreographically, musically and linguistically until a new collective beat emerges. DIVE celebrates heterogeneity and addresses questions of a commonality that is not based on similarity but rather exists despite – or precisely because of – differences.
This dance evening in English is created by a mixed crew of dancers from South Africa and Germany.
Choreography, stage: Anna Konjetzky // Dance: Sahra Huby, Maxwell McCarthy, Quindell Orton, Thapelo Kotlolo, Bafikile Sedibe, Mlondi Dubazane, Elisa Lind Finnbogadottir // Costume: Michiel Keuper, Martin Sieweke // Music: Klaus Janek // Stage design: Andrey von Schlippe // Light design: Wolfgang Eibert // Dramaturgy: Sarah Israel, Mateusz Szymanówka // Artistic production management: Rat&Tat Kulturbüro // PR: Simone Lutz
A production by Anna Konjetzky in co-production with Münchner Kammerspiele and Tafelhalle Nürnberg. With friendly support by the cultural Department of the City of Munich, Fonds Darstellende Künste and Kulturstiftung der Stadtsparkasse München. With backing from Tanztendenz München e.V., schwere reiter tanz und Muffathalle Betriebs GmbH.
In her new piece, a world premiere for the Saarland Staatsballet, Anna Konjetzky deals with the concept and feeling of imminent danger. A game of perception, an interplay of music and dance and how they shift against each other – and it is a game of movement and motionlessness. It is also about getting closer, which is perceived as a danger.
Choreography: Anna Konjetzky // Music: Sergej Maingardt // Stage: Andrey von Schlippe // Costumes: Charlotte Pistorius // With the Saarländischen Staatsballett
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The starting point for Anne Konjetzky’s dance theatre piece UNSTABLE is the question of how we deal with insecurity, but also what groundlessness means to us and what opportunity can lie in instability. Developed in collaboration with the ensemble of the Tanztheater Braunschweig, the choreographer deals with the state of imbalance: What does it feel like when you have lost your balance – or is it not yourself at all, but the world around you that has gone out of balance?
Choreography: Anna Konjetzky // Stage: Hannes Hartmann, Leonie Mohr // Music: Sergej Maingardt // Dramaturgy: Stefanie Fischer // Audience Development: Julia Honer // With: Alice Baccile, Brendon Feeney, Joshua Haines, Ursina Mathéus, Brigitte Uray
The new dance piece by Munich choreographer Anna Konjetzky stages fragile and inefficient bodies and thematises our social interaction with them. As if in a game, five dancers compete against each other. They test their limits, work against muscle cramps, struggle with losing their balance, get out of step, fall, give up and start again. Inspired by youtube videos depicting stumbling drunks and weakened marathon runners, the ensemble takes the subject of falling out of context, while analysing and commenting on ist own physical progress.
The piece is in english with German subtitels (or other language).
Choreography: Anna Konjetzky // Dance: Sahra Huby, Sooyeon Kim, Maxwell McCarthy, Quindell Orton, Robin Rohrmann // Music: Brendan Dougherty // Video: René Liebert // Light: Wolfgang Eibert // Dramaturgy: Sarah Israel // Production: Rat&Tat Kulturbüro
A production by Anna Konjetzky in co-production with the Münchner Kammerspiele and the Argekultur Salzburg. With the support of the cultural Department of the city of Munich. With backing from the BLZT ( Bavarian National Association for Contemporary Dance) from funds of the Bavarian State Ministry for Education and Cultural Affaires, Science and the Arts, and ther Performing Arts Foundation e.V. , the Muffathalle Munich, and by Tanztendenz Munich e.V.
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Who, how and what can I be? This question is being asked by Munich choreographer Anna Konjetzky in her new piece. A body produces its own soundtrack for a journey across various identities, self-conceptions and fantastical characters. The sounds evolvingreveal the movement in a different light and make the situations change unexpectedly. The images, moods, and super powers, drawn from individual or collective memory, are playfully layered and recombined. Through big effects and subtle notes, perception is fooled and the curiosity towards a creative way of handling attributions is triggered.
A 30-minute dance performance for theatres, galleries, foyers, schools and many other spaces, with the possibility of subsequent discussions, mini or maxi workshops on dance and music (e.g. live scoring of movement, foley artist).
Choreography: Anna Konjetzky // Dance: Sahra Huby // Music: Sergej Maingardt
A production of explore dance– Network dance for young audience, a project of fabrik Potsdam, Fokus Tanz / Tanz und Schule e.V. München and K3 | Tanzplan Hamburg organized by fabrik moves gUG. It is funded by TANZPAKT Stadt-Land-Bund, supported by the commissioner for culture and media of the federal government, the free and hanseatic city of Hamburg, the department of arts and culture of the city of Munich and the Bavarian state association for contemporary dance financed by the Bavarian ministry for arts and education, as well as the city of Potsdam and the ministry for science, research and culture of the federal state of Brandenburg.
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ABOUT A SESSION takes place in English.
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