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The set of TESTLAUF is a space, that invites people to hang out, lie down, chat, meet, dance, play, listen to music, etc…..and have a drink together.
After having done this work as a performance during SPIELART 2015, we continued questioning and developing it, and created a second, far more interesting version, as an ongoing installation: a brainstorming-playground: In this set we will propose and let go. Think and explore together, around how we use the space together, (this space concretely and this space as a model of an urban setting) how we create communities, how we share…. The space is open the whole day shifting from guided to not guided momentums.
Funded by the Department of Culture of the City of Munich, the Goethe Institut, Fonds Dastellende Künste e.V. and the Bayerischen Landesverband für zeitgenössischen Tanz (BLZT). Woth support of the Kreissparkasse München Starnberg Ebersberg, the Muffatwerk GmbH, den Eisbachstudios and the music house Hieber Lindberg.
28. – 30.5.2018 DAAD festival Bratislava
Today, more and more youths are under high pressure to make their schooling and vocational training more effective in order to be at the forefront of the race for good jobs in our thoroughly economized society.
The dance theatre “Running” deals with this phenomenon and examines the situation of adolescents who have to find their way between their own wishes, the demands of society, the expectations of their parents and the peer pressure of friends and peers. A collage of text, movement, sound, video and space developed by choreographer and director Anna Konjetzky and author Christina Kettering together with three actors* and three dancers* makes it possible for young people’s attitude to life to be experienced sensually.
Director, Choreography, Scene: Anna Konjetzky // Video: René Liebert // Musical Direction: Sergej Maingardt // Dance: Sahra Huby, Quindell Orton, Manuel Molino // Actors: Sascha Kirschberger, Giulia Weis, Jana Franke
Where does the impulse for change, for mobilisation come from?
When does the change begin, and where does it go?
Who’s gonna break the marble that started it all?
When does it create its own momentum?
Do we fall into rigidity if no one triggers an impulse?
Does everything fall apart when everything starts moving
For GROUND, Anna Konjetzky created a work for dance ensemble that works with “temporary sculptures”, with solidifying formations that emerge from the most diverse dancer internal constellations. In doing so, the choreographer asks whether unstable positions and precarious situations can be understood not only as risks but also as sources of inspiration.
Choreography: Anna Konjetzky // Music: Sergej Maingardt // Stage and Costume: Linda Sollacher // Choreographical Assistence: Sahra Huby, Quindell Orton // With dancers from the Staat Ballett Saarland: Edoardo Cino, Marioenrico D’Angelo, Hope Dougherty, Yuki Kobayashi, Miguel Toro
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17.5.2017
Saarländisches Staatstheater
5.4.2017
Saarländisches Staatstheater
24.3.2017
Saarländisches Staatstheater
23.3.2017
Saarländisches Staatstheater
10.3.2017
Saarländisches Staatstheater
26.2.2017
Saarländisches Staatstheater
21.2.2017
Saarländisches Staatstheater
18.2.2017
Saarländisches Staatstheater
In „wah-wah“, Anna Konjetzky allows the audience to look at six dancers as though through a microscope. A kaleidoscope of aggregate states and constellations are opened up to observers. As in a chemical reaction, the bodies meld, pulse as one, reject one another, individualize, encircle one another to then once again be attracted to one another. The dancers are a swarm that does not seem to follow a determined or immanent order, a subconscious or pre-conscious impulse; it causes a series of chain reactions and creates constantly new arrangements of bodies. The events on stage are thus similar to the principle of a black hole that makes everything move at its edges to then swallow and meld with it all to thus create a state of higher density – layer by layer, loop by loop.
“It’s like a stream of consciousness transferred to the behavior of bodies towards each other. Every action, every constellation causes changes that take place and make waves, creating new connections, new configurations. It is about the emergence of community, about the emergence and movement of (social) systems and the question up to where individuals create the system and at what point the system develops a form of self-dynamics that is so compelling that it forms the individual”. (Anna Konjetzky)
Choreography: Anna Konjetzky // Dance: Viviana Defazio, Sahra Huby, Michele Meloni, Quindell Orton, Damiaan Veens, Jascha Viehstädt // Music: Brigitta Muntendorf // Scene, costume-design: Linda Sollacher // Dramaturgy: Sarah Israel // Music: Sergej Maingardt // Project Coordination: Hannah Melder // Light: Wolfi Eibert
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24.4.2018
Bipod Maqamat Beirut
15.7.2017
Kammerspiele München
22.4.2017
ZKM Karlsruhe
28.10.2016
Tafelhalle Nürnberg
27.10.2016
Tafelhalle Nürnberg
23.10.2016
Kammerspiele München
22.10.2016
Kammerspiele München
In TESTLAUF Anna Konjetzky places performers and spectators together in a kind of testing ground, where they become test persons for new spatial situations and possibilities of community building. The choreographer establishes an open space that does not dictate directions, but only gradually – and always changing – works with different perspectives, closures and constrictions. A space that is constantly changing, and so new spaces, new situations, new obstacles, new associations and narrations are created, for the dancers as well as for the audience. TESTLAUF is an active reflection with and through the body on public space and community in urban structures.
Choreography: Anna Konjetzky // Dance: Sahra Huby, Quindell Orton, Sara Sampelayo, Damiaan Veens, Jorge Rodolfo De Hoyos // Music: Brendan Dougherty, Miguel Casaponsa // Project Coordination: Laura Martegani (RAT&TAT kulturbuero) // Scene, Technical Director: Sophia Soehner
Funded by the Department of Culture of the City of Munich and the Fonds Darstellende Künste e.V. as well as the Bayerischen Landesverband für zeitgenössischen Tanz (BLZT). With kind support of the Kreissparkasse München, Muffatwerk GmbH, the Eisbachstudios and the music house Hieber Lindberg.
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28. – 30.5.2018
DAAD festival Bratislava
11.1.2017
Muffathalle München
10.1.2017
Muffathalle München
8.11.2015
Maschinenhaus Essen
4.11.2015
Muffathalle München
3.11.2015
Muffathalle München
2.11.2015
Muffathalle München
Die Choreografin Anna Konjetzky und der Komponist Sergej Maingardt gehen gemeinsam mit elf Tänzerinnen des Zentrums für Zeitgenössischen Tanz (ZZT) und vier Musikerinnen den folgenden Fragen nach: Wer gehört dazu? Wer ist raus? Können wir uns aufeinander verlassen? Was sehen wir und was wollen wir überhaupt sehen? Was schließen wir aus? Dabei begeben sie sich auf die Suche nach einer Grenze, die ausschließt, nur von manchen überschritten werden darf, die wir verteidigen und immer wieder neu definieren.
Choreography: Anna Konjetzky // Choreogrphic assistence: Sahra Huby // Composition: Sergej Maingardt (Institut für Neue Musik/Studio für elektronische Musik) // Dance: Christina Berger, Lisa Bless, Lisa Gallon, Clara Marie Müller, Samanta Hinz, Chin-A Hwang, Soo Yeon Kim, Marlena Meier, Hannah Nürnberg, Greta Salgado, Yun Jin Song // Music: Nicola Hein (Gitarre), Constantin Herzog (Bass), Felix Knoblauch (Keyboard), Arturo Portugal (Drum Set)
A collaboration of ZZT with the Institute for New Music/ Studio for electronic Music at the HfMT Köln.
25.10.2016
think big festival München